I work with discarded and anonymous garments—materials shaped by proximity to the body, by care, labor, and use. Through hand stitching, layering, and accumulation, I construct fibrous architectural forms that hold memory without resolving it. These structures do not aim for repair or harmony; they remain unsettled, carrying the weight of what has been worn, handled, and abandoned.

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My practice treats clothing as a residue of lived experience rather than as symbol or artifact. Each fragment is approached with the same attention I would offer the person who once inhabited it. The work emerges slowly, through thousands of hand-sewn layers, allowing time, pressure, and repetition to register physically within the form.

 

Working at the intersection of sculpture, architecture, and textile, I challenge hierarchies that separate craft from monument, care from power, and women’s labor from cultural memory. The work resists purity, efficiency, and spectacle, insisting instead on endurance—of bodies, of materials, and of histories often left unresolved.